Third movie in the series.
Speaking in Arabic and English, Soliman Al-Halawani, Dr. Mahmoud Hourani, Fouad Charida, Dib El Chami and Rafica El Chami Batach tell of their life in Palestine before 1948 and give eye-witness accounts of the tumultuous days of 'Al Nakba' (the catastrophe), May 15th, and its aftermath. As children and young adults, they and their families were among 750,000 Palestinians fleeing for their lives, as Zionist terror gangs began seizing villages to enlarge the recently created State of Israel. The stories told by these speakers are poignant, unexpected and sometimes surprising, expressing not only the tragedies but also the small miracles which occur in a human catastrophe of such dimensions. Prevented from returning to their homes, the speakers lived as refugees, eventually making their way to Australia. Their continued longing to see their homeland eloquently expresses the feelings of the dispossessed everywhere, and gives this film a universal dimension.
"All I wish is to lie down in the field and look at the sky beyond the grass stalks. And then die... I had no where to go."
Through riveting and moving personal recollections of both Palestinians and Israelis, 1948: Creation & Catastrophe reveals the shocking events of the most pivotal year in the most controversial conflict in the world.
On March 25, 1948 a UFO spacecraft of extraterrestrial origin crashed in a place called Aztec, New Mexico. Sixteen alien bodies were discovered dead inside. The alien bodies and all evidence of their spacecraft were soon transported by government officials to Wright Patterson Air force Base where all traces of this event disappeared in secrecy.
Second part of Documentary project
Mahatma: Life of Gandhi, 1869–1948 is a 1968 documentary biography film, detailing the life of Mahatma Gandhi. The film was made to seek to tell the life story Gandhi, and his incessant search for Truth. The film contains animation, live photography and old prints to provide an integrated image of his life. The story itself is narrated using mostly Gandhi's own words. There are several versions of the film. There is the 5 hour version in English, a shorter version which runs for 2 hours and 16 minutes, and an even shorter version which runs for an hour. A Hindi version exists, running for 2 hours and 20 minutes, and a German version at 1 hour and 44 minutes.
As part of a season marking the 60th anniversary of the founding of Israel, Liran Atzmor's film documents a battle that took place in the Old City of Jerusalem in 1948 from three points of view - photojournalist John Philips, whose pictures for Life magazine depicted the Jews being evacuated from the Old City; Jack Padwa, the producer of a feature film which tells the story from a Jewish British perspective; and photographer Ali Zaarour, who tells the story from the Palestinian viewpoint. (Storyville)
To hear is not the same as seeing and hearing! To watch Maestro Toscanini conduct this opera is a revelation. This man is a direct link to Verdi, Puccini and other great opera composers. He did the premier performances of many major operas. His tempos, phrasing, etc. must be considered definitive. I was mesmerized from start to finish. One will forget the soft black and white, and sometimes blurred images, the lack of subtitles, and the relatively limited sound frequency range, as the focus will be on what Toscanini is doing on the podium. Richard Tucker -- what can I say about Mr. Tucker? His performance was wonderful, clear, nuanced.
Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit's discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and 60s is a firm reminder of just how foreign electronic sounds were to even the academic community only 40 years ago. Likewise, Paul Lansky's private lesson with theremin inventor Leon Theremin is an example of how non-user friendly electronic musical instruments could be, even to people who should have the best sense of how to approach them.
Providing a half-century retrospective of social dance in America, this fascinating documentary demonstrates how dance mirrored culture in the first half of the 20th century. Featuring footage of hoofers such as Irene and Vernon Castle, the famed Whitey's Lindy Hoppers, average Americans cutting a rug in newsreels and the 1930s' excruciating dance marathons, the video includes 60 historical dance clips from 1897 to 1948.
Once again the moving beam of "Spotlight" swings across the city of today to pinpoint a new story for the screen audience of tomorrow. This time we start from an office building in London, late on a summer evening, when the timeclocks have rung in the evening's freedom for London's daytime workers.
A teenaged girl is executed for going against a king's wishes and honoring her brother's death.
The success of 1947's Badman's Territory prompted RKO Radio to assemble another "outlaw rally," Return of the Badmen. Randolph Scott plays US marshal Vance, assigned to rid the Oklahoma Territory of outlaws. This proves to be quite a challenge, inasmuch as virtually every frontier bad guy has converged upon the territory. Led by the surly Sundance Kid (Robert Ryan), the rogue's gallery includes the Younger Brothers (Steve Brodie, Richard Powers, Robert Bray), the Daltons (Lex Barker, Walter Reed, Michael Harvey) and Billy the Kid (Dean White). For all the formidable villainy, the film's most fascinating conflict develops between the two heroines: feisty Cheyenne (Anne Jeffreys) and prim 'n' proper Madge Allen (Jacqueline White).
In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.
At Last the 1948 Show is a satirical TV show made by David Frost's company, Paradine Productions, in association with Rediffusion London. Transmitted on Britain's ITV network during 1967 and 1968, it brought Cambridge Footlights humour to a broader audience. The show starred Tim Brooke-Taylor, Graham Chapman, John Cleese, Marty Feldman and Aimi MacDonald. Cleese and Brooke-Taylor were also the programme editors. The director was Ian Fordyce.