Starting with the FIFA World Cup™ finals in Switzerland in 1954, we see the red-hot favourites Hungary, led by the legendary Puskas eventually beaten by West Germany 3-2 in a classic final.
Chapter 11 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1950 and 1954 Narrates the period of the history of Mexico from 1950 to 1954, marked by capitalism and exploitation of native peoples.
From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc’O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino’s third volume of experimental films continues to illuminate the degree to which cinema’s evolution has been influenced by those filmmakers who occupy its periphery.
In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. This collection continues Kino's tribute to the Rohauer Collection, including the early works of Stan Brakhage and influential films by Willard Maas, Gregory Markopoulos, Marie Menken, Dimitri Kirsanoff, Jean Mitry, Sidney Peterson and others. The pièce de résistance is Jean Isidore Isou's passionate manifesto of film aesthetics Traitéde Bave et D'eternité (Venom and Eternity), which sparked a riot when it premiered at the Cannes Film Festival in 1951.
A documentary in two parts about the history of the Ukrainian Insurgent Army from 1942 to 1954 based on the testimonials of thirty-four witnesses and direct participants in the events (with over one hundred people surveyed). The film shows the Ukrainian insurgent movement from the perspective of "ordinary people," without pathos, mystification, and propagandistic clichés. The oral history reveals an unconventional view of the nature of the UPA struggle, letting the viewer feel the atmosphere and spirit of the age, while submerging into the whirlpool of turbulent events.
Screen tests for East of Eden and Rebel Without A Cause, compiled by Warner Bros.
In the early 1970s a young guitarist from Austin, Texas began to make his name on the local blues circuit, committed to a musical form many thought outdated. A decade on, that same guitarist became an international superstar. A player of passion, energy and awe-inspiring technical virtuosity, Stevie Ray Vaughan not only brought the blues heritage of his home state to a global audience, he reinvigorated the genre itself, introducing it to a new generation of listeners in the process. This film reveals and dissects the formative years of Stevie Ray Vaughan's career; his influences, his first recordings and the bands with whom he honed his craft and traces the history of Texas blues itself, identifying Vaughan's place within this larger tradition. It is the journey of both a musical form and the single-minded musician who brought it firmly back into the spotlight after decades of neglect.
ADRIA is an artistic analysis of film as a medium and of its meaning as SCHOOL OF SEEING. The subjects of this analysis are the beginnings of the Austrian hobby and amateur film creation, restricted to holiday movies from the Adriatic Sea. The footage was analyzed according to set focal points (image detail, camera movement, etc.) then dissected according to serial aspects (tracking shots, pans, etc.) and edited into new sequences (descriptions, reactions, etc.) These sequences are liberated from their individual isolation and unified in a sequence that reflects the general situation. This general situation reflects upon two aspects. One is the first active involvement with film as a medium - in front of and behind the camera - and the other aspect highlights social contexts such as the first holiday abroad and organizing one’s leisure time.Therefore the private depiction of an individual situation becomes a document of a general situation.
Screen superstars Clark Gable ("Gone With The Wind," "It Happened One Night") and sultry bombshell Lana Turner ("Peyton Place," "The Postman Always Rings Twice") team-up in this intriguing WWII drama. Suspected of being a Nazi spy, Dutch-resistance member Turner is given a last chance mission to redeem herself. Gable is an American colonel who falls in love with her. Co-starring Victor Mature ("My Darling Clementine") and Oscar-nominee Louis Calhern ("The Asphalt Jungle").
American spy James Bond must outsmart card wiz and crime boss LeChiffre while monitoring his actions.
Following the surrender of Geronimo, Massai, the last Apache warrior is captured and scheduled for transportation to a Florida reservation. On the way he manages to escape and heads for his homeland to win back his girl and settle down to grow crops. His pursuers have other ideas though.
The Indians try to make a fire in the Kettles fireplace the old fashion way, the smoke signal way. Judges are a comin' to award a child with a scholarship. However, who ever has the nicest looking farm and raises their kids in a good enviroment has a chance of winning.
Les femmes s'en balancent is a 1954 French film directed by Bernard Borderie
The story of President Monroe's response to attempts by Spain to interfere in South America.
Eyes on the Prize is a 14-hour documentary series about the African-American Civil Rights Movement. The series was produced in two stages: Eyes on the Prize: America's Civil Rights Years 1954–1964 consists of the first six episodes covering the time period between the Brown v. Board decision and the Selma to Montgomery marches. It was broadcast in 1987 on PBS. The remaining 8 episodes make up Eyes on the Prize II: America at the Racial Crossroads 1965–1985, which was broadcast on PBS in 1990. The series was also shown in the United Kingdom on BBC2. Created and executive-produced by Henry Hampton at Blackside, Inc., the series uses primary sources to record the growth of the civil rights movement in the United States, with special focus on the ordinary people who effected the change. It has been lauded for its depiction of the Civil Rights Movement, and used extensively in schools and other educational settings as a way to convey the experiences and struggle for civil rights in America. The title of the series is derived from the song "Keep Your Eyes on the Prize", which is used in each episode as the opening theme music.