As the era of silent films finds itself at a close, four down-and-out silent film actors and musicians struggle to find work. Fate leads them to a former star of the silent era as she struggles to escape her reputation as a wild and evil vamp of the silver screen and longs to be just thought of as an honest and decent woman. They join forces, and for a short time have a decent amount of success singing and dancing at clubs and bars. But the public has an insatiable taste for foreign black jazz bands, and they will stop at nothing to become a success.
Film edited and directed by Luc de Heusch using images never used that Henri Storck turned in Ostend in 1930 while he was "cinégraphiste" of the city.
King Christian X attends military drill.
Kopenhagen/1930 presents a different attitude to the seductions of content, to the signifying processes that are repressed in the rigorous procedures of the structural/materialist film. Its material is "images by George Gidal, Copenhagen 1930": photographs, their grounding and their signification.
Minimum plot. Maximum stars of early cinema.
A unique and historically valuable addition to the Official Films Collection, these 14 minutes of material predate television and provides both black and white and colour coverage of the first ever FIFA World Cup™. There are five minutes of material from the final in colour, providing a record of Uruguay’s victory in 1930.
A film based on the exhibition organized by the National Gallery that toured Canada in 1975. The paintings are juxtaposed with black-and-white newsreel footage of the more obvious social realities during the years of the Depression. The film shows that the artists of the day, in spite of economic setbacks, produced an inspired body of work.
Chapter 7 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1930-1934.
This collection presents the complete history of the FIFA World Cup, from its inaugural competition in 1930 up until the tournament in 1998.
Jewish memories of the Marolles-Midi district of Brussels] is a French-language documentary based on a selection from interviews which the Auschwitz Foundation recorded during the 1990’s with six survivors of the Nazi camps. These six adopted “Marollians” are Joseph Berman, David Blum, Hélène Gangarska, Baron Maurice Goldstein, Henri Kichka and Maurice Pioro. We follow them as they settle into the district. They go on to recount the fateful period from the entry into force of the first anti-Jewish measures in Belgium to the roundups which from 1942 onwards led to their deportation to Auschwitz, where most of the Jews were murdered.
A documentary about the early days of animation.
Breck Coleman leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth Cameron.
Ollie is in the hospital with a broken leg. When Stan comes to visit him, total chaos ensues.
Mickey leads an 8-piece orchestra (that's counting the bass played by three birds as one) through the most recognizable parts of the Poet and Peasant Overture. The setting, as the title implies, is a barnyard, and some of the instrumentation reflects that (including various animals used as instruments, like a tuned group of piglets whose tails Mickey pulls).
The Untouchables is an American crime drama that ran from 1959 to 1963 on ABC. Based on the memoir of the same name by Eliot Ness and Oscar Fraley, it fictionalized Ness' experiences as a Prohibition agent, fighting crime in Chicago in the 1930s with the help of a special team of agents handpicked for their courage and incorruptibility, nicknamed the Untouchables. The book was later made into a film in 1987 by Brian De Palma, with a script by David Mamet, and a second less successful TV series in 1993. A powerful, hard-hitting crime drama, The Untouchables won series star Robert Stack an Emmy Award for Best Actor in a Dramatic Series in 1960 .